What we store · Mixed Collections
A Whole Collection, Documented
Estates, private collections and the contents of a house being renovated. The material is mixed, and the problem is usually documentation rather than environment.
Come and see the environment before you send anything. Bring your registrar, your conservator or your insurer — we would rather they saw it than took our word for it.
Climate
Controlled temperature and relative humidity, continuously
Above
Above the floodplain — not a basement
Condition
Reported on intake and on every movement
Named
You know who handles your work
Nobody knows exactly what is there
A collection assembled over decades usually has no single current inventory. Items were bought, given, lent and moved, and the schedule the insurer holds is years out of date. When something needs to be found, valued, sold or divided, the absence of a record costs far more than the storage ever did.
Mixed collections also carry a valuation problem alongside the inventory problem. Different material needs different expertise to appraise, and a single generalist valuation across paintings, silver, furniture and books tends to be approximate in every category rather than accurate in any.
What documentation should exist
- A single inventory with a stable identifier per item.
- Photographs of every item as stored.
- Location within the facility, updated on every movement.
- Condition at intake, so later questions have an answer.
- A schedule in a form your insurer will actually accept.
Doing the inventory at intake
Everything is in one place, in your hands, being handled once. That is the only moment when cataloguing costs nothing beyond the time it takes, because the items are already being moved.
Deferring it means opening every box again later, which in practice means it never happens. Collections stay undocumented for another decade because the easy moment passed.
How we handle it
- 01Inventory on intake, item by item, with photographs.
- 02Assign and maintain stable identifiers.
- 03Track location and update it on every movement.
- 04Store each material group appropriately rather than uniformly.
- 05Provide records to you, your appraiser and your insurer on request.
Do the inventory at intake, when everything is in your hands at once. Doing it later means opening every box again, and in practice it means it never gets done — which is how collections end up undocumented for another decade.
Said plainly
Where we stop
We do not appraise or value. An inventory is a record of what exists; a valuation requires a qualified appraiser and we will not substitute our opinion for one.
Common questions
- Do you provide an inventory?
- Yes, at intake, item by item with photographs and stable identifiers.
- Do you value the collection?
- No. That requires a qualified appraiser. We record what exists.
- Can our insurer get the records?
- Yes, on your authority, in a form underwriters accept.
- What if the material is mixed?
- Each group is stored to what it needs. Uniform storage suits nothing well.
How it works
Intake & Condition Reporting
art storage intake condition report
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Access & Viewing
art storage viewing room appointment access
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Insurance & Valuation
fine art insurance storage schedule appraisal
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Exhibition Loans
lending artwork museum exhibition storage logistics
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Hurricane Procedure
art storage hurricane florida flood protection
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Tell us what needs to move.
What, from where, and roughly when. You do not need an inventory to start the conversation, and if the job belongs with an armored carrier we will say so on the call.
