South Florida
In South Florida, Elevation Is the Question Nobody Asks First
Every facility says climate controlled. Far fewer will tell you where the collection sits relative to the floodplain, what happens to conditioning during a three-day outage, or show you an actual environmental record rather than a target figure. Come and ask us those three questions in person.
Come and see the environment before you send anything. Bring your registrar, your conservator or your insurer — we would rather they saw it than took our word for it.
Climate
Controlled temperature and relative humidity, continuously
Above
Above the floodplain — not a basement
Condition
Reported on intake and on every movement
Named
You know who handles your work
What we store
What we store
Paintings
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Works on Paper
works on paper prints drawings storage archival
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Photographs & Negatives
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Sculpture & Objects
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Furniture & Decorative Arts
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Mixed Collections
private art collection storage inventory management
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How it works
How it works
Intake & Condition Reporting
art storage intake condition report
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Access & Viewing
art storage viewing room appointment access
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Insurance & Valuation
fine art insurance storage schedule appraisal
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Exhibition Loans
lending artwork museum exhibition storage logistics
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Hurricane Procedure
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The difference
How we work
Relative humidity is the number that matters
Most storage sells temperature control. In South Florida the damaging variable is relative humidity and, more precisely, how fast it swings. Panel movement, canvas tension and paper cockling respond to change rather than to any single reading, so stability is the specification.
Condition reported, not assumed
A work is condition-reported on intake and on every movement, with photographs. That protects you and it protects us, and it means a question about when a mark appeared has an answer rather than an argument.
We are not a fine art shipper and we will say so
Crating, international freight, customs and museum installation are specialist trades. We store, we handle within our own building, and we work alongside your shipper rather than pretending to replace them.
Your insurer and appraiser get what they need
Schedules, location records, condition reports and access logs, in a form an underwriter will accept. A collection that cannot be documented is a collection that is difficult to insure properly.
Start here
Arrange a vault visit
See the environment before you send anything. Bring your registrar, your conservator or your insurer — we would rather they saw it than took our word for it.
Tell us roughly what the collection is and we will tell you honestly whether we are the right facility for it.
Common questions
- Are you above the floodplain?
- Yes. It is the first question to ask any Florida facility, because no amount of procedure compensates for elevation.
- What relative humidity do you hold?
- A stable band, held continuously. The stability matters more than the exact figure, and we will show you the record.
- Can we visit before committing?
- Yes, and you should. Bring your conservator or insurer.
- Do you insure the work?
- No. Your policy does. Confirm with your broker that it follows the work into commercial storage.
- Do you do conservation?
- No. We store, document and handle. If something looks unstable we stop and tell you.
- Can we access our own racks?
- No. Work is retrieved by our staff, by appointment. Self-service access is how stored art gets damaged.
- Do we get a condition report?
- Yes, with photographs, before anything is racked — and again on every movement.
- Do you ship internationally?
- No. Crating and freight are specialist trades; we work alongside your shipper.
Tell us what needs to move.
What, from where, and roughly when. You do not need an inventory to start the conversation, and if the job belongs with an armored carrier we will say so on the call.
